Mortal Kombat (2021) – 4K Review

Warner Brothers attempts a flawless victory with its 4K release of 2021’s Mortal Kombat, an updated take on the iconic, long-running video game series. While no one company has yet been able to crack a truly successful, and all-appealing game adaptation, everyone keeps trying, and Warner’s latest effort is solid, surprisingly entertaining, but lacking a…

The Expendables (2010) – Sylvester Stallone

Sylvester Stallone stars, directs and writes (alongside Dave Callaham) in The Expendables, and he brings along a brilliant ensemble cast of classic action heroes, wrestlers and actors. Padding out a fairly simple story with some explosive set pieces this is just a mostly brainless action flick that serves as homage to the action films that…

Doomsday (2008) – Neil Marshall

Writer/director Neil Marshall pays homage to Snake Plissken and Mad Max with his actioner, Doomsday, which, as I rewatched it, had an opening that seems incredibly relevant as a pandemic sweeps the UK, and as the virus spreads there are lockdowns, quarantines, and curfews – until the infected are all locked away in Scotland, a…

Conan the Barbarian (1982) – John Milius

DK Canada’s highly enjoyable Monsters in the Movies brings me another classic film for my viewing pleasure. This one, I’ve wanted to rewatch for awhile, but couldn’t find the time. Happily, it showed up in the chapter, Devil’s Work, under evil wizards. Arnold Schwarzenegger brings Robert E. Howard’s iconic creation, Conan the Barbarian to life…

Heavenly Creatures (1994) – Peter Jackson

I’m closing in on the end of DK Canada’s The Movie Book, as I explore its last section, The Director. And it brings me a Peter Jackson film that isn’t set in Middle Earth (it is in New Zealand, however, and I recognise a lot of the names in the credits as those he has…

Beowulf (2007) – Robert Zemeckis

I’m enjoying exploring DK Canada’s Monsters in the Movies book, and the current chapter on Myths, Legends and Fairy Tales is bringing me all manner of film to partake in. Today, it brings me Robert Zemeckis’ take on the epic poem Beowulf. Always a technically inovative director, Zemeckis decided to make the film with computer…

Toronto After Dark 2019: The Furies (2019) – Tony D’Aquino

Australia brings their horror game to the Toronto After Dark film festival tonight with their bloody and violent The Furies. A riff on the Final Girl trope as well as a mash-up of Battle Royale and Halloween the film is deliciously gory and excitingly paced. When Kayla (Airlie Dodds) is abducted and wakes up in…

The Outsider (2018) – Stephen King

Stephen King’s The Outsider has proven divisive with some fans, as it marries a lot of his more recent writing, specifically his work on the Mr. Mercedes trilogy (the first of which plays as a straight thriller), and his earlier work that delved into the supernatural. I knew going in that there would be a…

Sleepy Hollow (1999) – Tim Burton

DK Canada’s Monsters in the Movies book takes me into classic ghost tales territory with the next film that haunts the chapter on spirits, Tim Burton’s take on the legend of Sleepy Hollow. His bloody film, which serves as his version of the tale, also serves as a nod and homage to Hammer Films as…

28 Weeks Later (2007) – Juan Carlos Fresnadillo

The zombie madness continues as I work my way through the chapter on this vicious version of the undead in DK Canada’s Monsters in the Movies. Much like the first film, 28 Days Later, this film is violent, kinetic, and features some solid star power. The rage virus has swept across the UK, but a…

Dead Alive (1992) – Peter Jackson

Peter Jackson’s wonderfully over the top gore fest horror comedy, Dead Alive aka Braindead is the next zombie title to stumble out of the catacombs of the zombie genre as featured in DK Canada’s Monsters in the Mocies book.┬áBy turns hilarious, and bloody, the film is so extreme in its kills, and it’s gore, in…

Pet Sematary (1989) – Mary Lambert

DK Canada’s Monster in the Movies continues to guide me through their chapter on zombies, and Paramount’s first adaptation of Stephen King’s classic horror novel arguably falls well within the realm of the undead. It became a cult classic, and the film has aged fairly well, it is, however, populated with television actors, which at…