Tom Clancy books were just a part of my teen years as Stephen King novels, Star Trek, and classic 80s movies (course how was I to know they were going to be classics when I was watching them? I just knew I loved them.
I got into the books with the first paperback edition of The Hunt For Red October in the mid-1980s through a schoolmate I’ve sadly lost touch with, Michael Hay. From then on, until I left home for University, my parents, specifically my mother, knew what book to get me for Christmas, the latest Clancy techno-thriller.
Paramount Pictures has had an on-again off-again relationship with Clancy’s main protagonist, John ‘Jack” Patrick Ryan since the 1990s. In the course of 12 years, Hollywood’s version of Jack Ryan had four adventures, and changed his appearance three times. In the same amount of time , Bond did the same, but had a lot more adventures… just saying.
Despite that, I honestly believe that each and every one of the films were solid entertainment.
They also recently announced that Kenneth Branagh, fresh off of his blockbuster take on Thor, and his turn as Sir Laurence Olivier in My Week With Marilyn, would be taking the helm behind the camera.
I like this idea, Branagh is a strong director, and has made some fantastic films (remember Dead Again?) and Chris Pine is a making some serious headway in Hollywood, because of Star Trek (2009) and seems like just a hard-working good guy.
I love a good techno-thriller, and honestly don’t believe there are enough of them. The combination of action, politics, and spy work, has always entertained me (take a look at Spy Game, and though not necessarily a spy/techno/thriller – Sneakers).
Paramount’s first incarnation of Ryan’s adventures was a big-screen adaptation of The Hunt For Red October, which featured Alec Baldwin as Ryan, Sean Connery as Ramius, the captain of the defecting Russian submarine Red October, Sam Neill as Ramius’ first officer and an all-star supporting cast including Stellan Skarsgard, Tim Curry, James Earl Jones, Scott Glenn and Timothy Carhart.
Directed by John McTiernan (Die Hard), Red October is one of those movies that I would throw on the television on a regular basis when I was working at a video store, I love the dialogue, the pacing, and a stirring score by Basil Poledouris.
Baldwin had to bow out, as he had other commitments and the role was offered to Harrison Ford.
Ford’s Ryan stops a kidnapping/assassination attempt on members of the Royal Family (in the novel, this was Charles and Diana) by a splinter faction of the IRA led by Patrick Bergin and Sean Bean. When Sean Miller’s (Bean) brother is killed by Ryan in the botched attempt on the Royals, Miller swears revenge, escapes from custody, and begins to stalk Ryan, his family and the visiting Royals in America.
The film was directed by Australian director Phillip Noyce (Salt) and had a score done by the awesome James Horner (Aliens, Star Trek II). It also once again featured a strong cast alongside Ford and Bean, including James Earl Jones (reprising Admiral Greer), Anne Archer, Thora Birch, Richard Harris, and Samuel L. Jackson.
This is my favorite of the two films Ford turned in as Ryan, it’s an action flick, with politics, and some wonderful tech sequences, including a scene featuring Ryan watching a satellite attack on an IRA camp.
Two years later, Paramount Pictures brought us Clancy’s version of the war on drugs. With Admiral Greer (James Earl Jones) falling fatally ill, Ryan is forced to assume his position in advising the President (Donald Moffat) on what to do when a ‘life-long friend’ is killed for his involvement with a drug cartel.
The President authorizes Operation: Reciprocity and we are finally introduced to one of Clancy’s other famous creation, agent John Clark, played my Willem Dafoe.
This one is more politics heavy, which is fine with me, though it was originally advertised as a big action movie.
Once again helmed by Noyce, this film saw Ryan refusing to violate his morals and ethics, and holding everyone around him to the same stringent code. The tagline for the film was “Truth needs a soldier,” and as he realizes that those he’s working with, including the President are hanging him out to dry, blaming him in fact for troops in Central and South America (under Reciprocity) performing illegal actions against the drug cartels, he goes to work on rescuing the stranded strike team, and stopping the president and his cronies.
Once again there were some really great sequences in this film, including Ryan squaring off against the President, the tennis phone-call sequence between Ryan and his inter-office nemesis Ritter (Henry Czerny), as well as the intense ambush sequence, awesomely scored again by Horner.
The all star casting continues with Joaquim de Almeida and Benjamin Bratt.
Then, the series stalled.
And was relaunched in 2002.
Phil Alden Robinson (Sneakers, Field of Dreams) hit the reset button with The Sum of All Fears. In this film Ryan, now played by Ben Affleck, is just starting out as an analyst, lying to his girlfriend (and one day wife) Cathy (Bridget Moynahan) about what he does for a living.
When a rogue group of Neo-Nazis get their hands on a nuclear device from Israel, they begin playing the Russian and American governments off of one another, pushing them dangerously close to all out war, which includes a stunning nuclear detonation on American soil.
It’s up to Ryan, with the help of Clark (now played by Liev Schreiber) to prove the Russians are innocent and stop the true culprits before it’s too late.
This film is probably the most epic in scope of all the Jack Ryan films, as it has story points that pop up all over the globe, and you can see how close everything comes to completely falling apart – like a modern and updated version of the Bay of Pigs incident with Kennedy and Krushchev.
This time out the film features a score by the late Jerry Goldsmith (Alien, Star Trek The Motion Picture) and the all-star casting continues with James Cromwell, Morgan Freeman, Philip Baker Hall, Ron Rifkin, Ciaran Hinds, Bruce McGill and Colm Feore.
It’s a fairly solid collection of films, and still hold up their entertainment value, so it will be interesting to see where Jack Ryan and company go next…