Zero Mostel and Gene Wilder star in Mel Brooks’ Oscar winning comedy The Producers. Scoring the Academy award for Best Original Screenplay, this one is a hoot from beginning to end. It also saw Wilder get a nomination for Best Supporting Actor. Mostel stars as Max Bialystock, a producer, who will do anything to make…
Tag: oscar
TIFF 25: The Eyes of Ghana dir. Ben Proudfoot
Oscar winner filmmaker Ben Proudfoot turns the objective eye of the camera on the powerful story of Chris Hesse. A man of the cloth, Hesse was once a filmmaker and cinematographer in his home country of Ghana. He was with Ghana’s first president, Kwarme Nkrumah, from his inauguration to the coup that removed him from…
Kingdom of the Planet of the Apes (2024) – Wes Ball
I love the Planet of the Apes franchise, including the Tim Burton iteration. And I’ve enjoyed them all, to be clear, I don’t remember much of the animated series from when I was a kid, or the brief live-action series, but I know the rest of franchise. I was initially unsure about the Dawn/Rise/War trilogy…
Misery (1990) – Rob Reiner
I remember reading Stephen King’s novel for Misery, and getting caught up in the tension. The same happened the first time I watched Rob Reiner’s film version featuring an adapted script by William Goldman and featured James Caan, Kathy Bates, Richard Farnsworth, Lauren Bacall, and Frances Sternhagen. I hadn’t watched it since it first came…
The Stuntman (1980) – Richard Rush
Steve Railsback, Peter O’Toole and Barbara Hershey headline the genre-defying film, The Stuntman, that sees a fugitive finding a place to hide… on a film set. Railsback is Cameron who is on the run from the police, seen in a wonderfully extended opening sequence that lays out a whole bunch of narrative threads before tying…
Phantom of the Opera (1943) – Arthur Lubin
It’s the first color Universal Monster movie! Phantom of the Opera is presented in gorgeous technicolor, this is the only one of the original Universal Monster movies that won the Oscars it was nominated for, Best Cinematography (Color) and Best Art Direction (Color). While one could argue that the Universal Monster series started with the…
Invisible Agent (1942) – Edwin L. Marin
The next Universal Monsters movie (that I haven’t previously seen) is Invisible Agent, and honestly, it feels like a huge step up from The Invisible Woman, but too often goes for the comedic angle instead of playing itself as a straight thriller, which I think it could have done brilliantly. This time we are introduced…
The Fall Guy (2024) – David Leitch
Ryan Gosling and Emily Blunt deliver a fun action-comedy that reinvents the classic 80s television show and pays homage to a stunt work (which still doesn’t have an Oscar category!). Colt Seavers (Gosling) is a high-profile stunt performer, arguably the best, and he’s been working as Tom Ryder’s (Aaron Taylor-Johnson) stunt double for years. He…
TIFF24: The Last Showgirl dir. Gia Coppola
Pamela Anderson delivers a career-topping performance as Shelley an aging Vegas showgirl, whose show, Razzle Dazzle, is closing, bringing her thirty-year career to a grinding stop. Directed by Gia Coppola whose use of shallow focus lenses keeps the story on Shelley at all times, the tale looks honestly at aging and beauty in not only…
Training Day (2001) – Antoine Fuqua
I forgot what a tightly crafted, perfectly executed film Training Day was. I knew it was excellent, I remembered it as gritty and intense, but I hadn’t seen it since 2001. Watching it afresh over twenty years later, and one is struck by the intensity of the performances, Denzel Washington deservedly won an Oscar for…
The Mind Reels 