Maxwell Smart (Don Adams) and 99 (Barbara Feldon) arer undercover in foggy London (read as stock footage, and back lot work). They also throw in a quick appearance by Danny Thomas. They are to take care of an American gangster, Scar (done before the opening credits) and deal with a the Scorpion Gang who are…
Tag: legs
Batman (1966) – The Greatest Mother of Them All, and Ma Parker
Batman (Adam West) and Robin (Burt Ward) find themselves going up against a villainous criminal mastermind in the form of Shelley Winters’ Ma Parker. Henry Slesar penned this two-part story, whose first instalment, The Greatest Mother of Them All, aired on 5 October, 1966. Ma Parker has stayed out of Gotham City, the threat of…
Miami Vice (1985) – Milk Run, and Golden Triangle: Part 1
It’s back to Miami for another flashback to the 80s, as Crockett (Don Johnson) and Tubbs (Philip Micheal Thomas) continue to do their part to stem crime in the seedy world of drugs, arms, prostitution, and vice. Milk run was written by Alison Hock and first aired on 4 January, 1985. Staking out the airport,…
The Little Mermaid (1989) – Ron Clements and John Musker
Hans Christian Anderson’s classic fairy tale gets the Disney makeover in this the first recommendation from the Great Movies – 100 Years of Film book following my screening of The Lion King. While Lion King is undeniably more popular, The Little Mermaid was the film that more or less launched the Disney renaissance. Prior to…
Magnum, p.i. (1983) – Faith and Begorrah and Home From the Sea
It’s the day of the week that I love! It’s time for more Magnum, p.i. – this post sees the end of season 3 and the beginning of season 4. Faith and Begorrah was written by Bellisario and aired 28 April, 1983. Thomas (Tom Selleck) is hard at work on an infidelity case, hired…
The Thing (2011) – Matthijs van Heijningen jr.
The Sci-Fi Chronicles book brings me to the remake/reboot/prequel to one of my all time favorite John Carpenter films, The Thing. I love both previous cinematic incarnations of this film, the paranoia and isolation that permeates the story and characters of Carpenter’s film, and the crackling dialogue and pacing of the 50s version, The Thing From Another World. So…
