“One must let go of the past to hold onto the future.” We close out season four of The Clone Wars this week, and the first episode up is Massacre. Written by Katie Lucas, it first debuted on 24 February, 2012. Asajj Ventress (Nika Futterman) returns to Dathomir to complete her training as a Nightsister….
Tag: general grievous
Star Wars: The Clone Wars (2011) – Shadow Warrior, Mercy Mission, and Nomad Droids
“Who a person truly is cannot be seen with the eye.” We travel back to Naboo with Anakin Skywalker (Matt Lanter) and Padme Amidala (Catherine Taber)in this episode written by Daniel Arkin. Shadow Warrior debuted on 30 September, 2011. There is unrest under the surface of Naboo as the Gungans are seemingly on the verge…
Star Wars: The Clone Wars (2010) – The Deserter, Lightsaber Lost, and The Mandalore Plot
“It is the quest for honor that makes one honorable.” The Deserter is a different kind of clone story. It was written by Drew Z. Greenberg and debuted on 1 January, 2010. Obi-Wan Kenobi (James Arnold Taylor) and part of the 501st are hunting down General Greivous (Matthew Wood), but when one of the clones,…
Star Wars: The Clone Wars (2008) – Bombad Jedi, Cloak of Darkness, and Lair of Grievous
“Heroes are made by the times” For the first time, we see Rodia depicted onscreen as Padme Amidala (Catherine Taber) is headed there on a diplomatic mission with Jar Jar Binks (Ahmed Best) and C-3PO (Anthony Daniels). The episode, Bombad Jedi, was written by Steven Melching, Henry Gilroy and and Kevin Rubio. It debuted on…
Star Wars: Clone Wars (2008) – Rising Malevolence, Shadow of Malevolence, and Destroy Malevolence
“Belief is not a matter of choice, but of conviction.” Rising Malevolence was written by Steven Melching with additional moments penned by show runner Dave Filoni and debuted on 3 October, 2008. General Grievous (Matthew Wood) has a new cruiser, with a powerful weapon, the Malevolence. In one brutal attack, he wipes out almost all…
Star Wars: Revenge of the Sith (2005) – George Lucas
The Sci-Fi Chronicles brings me to the final entry in the Prequel Trilogy, and arguably the strongest despite some troubling moments. While still suffering from the too clean, too digital, green-screen EVERYTHING, this one feels the closest to a Star Wars movie, and that opening sequence through the space battle over Coruscant is highly…
