Captain’s log: stardate 47160.1 Ronald D. Moore pens the second part of this two-parter, based on a story by Naren Shankar. Airing on 18 October, 1993, it completes the story of Picard (Patrick Stewart) posing as Galen with a gang of intergalactic pirates who pillage archaeological sites. Riker (Jonathan Frakes) is still held by Baran…
Tag: directs
Star Trek: The Next Generation (1993) – Rightful Heir, and Second Chances
Captain’s log: stardate 46852.2 Ronald D. Moore pens this Worf (Michael Dorn) episode from a story by James E. Brooks that first aired on 17 May, 1993. Worf, after a dereliction of duty, takes some leave to put his affairs in order. He is still dealing with the repercussions of the events in the Birthright…
Star Trek: The Next Generation (1990) – Yesterday’s Enterprise, and The Offspring
Captain’s log: stardate 43625.2 Yesterday’s Enterprise penned by Ira Steven Behr, Richard Manning, Hans Beimler and Ronald D. Moore from a story by Trent Christopher Ganino and Eric A. Stillwell became an instant classic when it aired on 19 February, 1990. A spatial-temporal rift causes changes in the 24th century when it spits out the…
Quantum Leap (1992) – Ghost Ship and Roberto!
Sam (Scott Bakula) finds himself in the pilot seat in Ghost Ship, the first episode for review this week. Written by Donald P. Bellisario and Paris Qualles, it first aired on 4 March, 1992 and takes place on 13 August, 1956. En route to Bermuda, Sam is Eddie Brackett, an inexperienced co-pilot, and finds all…
Quantum Leap (1991) – Private Dancer and Piano Man
Sam (Scott Bakula) finds himself in the body of a male stripper, Rod ‘The Bod’ in Private Dancer. Written by Paul Brown this episode first aired on 20 March, 1991. As Rod, Al (Dean Stockwell) informs Sam that he is there to help a young, deaf, waitress, and hopeful dancer, Dianna (Rhondee Beriault) and stop…
Les Vacances de Monsieur Hulot (1953) – Jacques Tati
Jacque Tati directs and stars in the next film selection in the Great Movies – 100 Years of Film book. It’s a gentle, chuckle-filled film that while probably not vastly entertaining to today’s audiences is a delightful little escape from the clash and furor that so populate today’s comedies. Taking a page from the…
