Gregory Hoblit and Lee David Zlotoff penned Life, Death, Eternity which first aired on 14 March, 1981. Hey look! There’s Dwight Schultz! There’s no heat in the precinct (and the repairman has dropped dead) while Furillo (Daniel J. Travanti) continues the investigation of the murdered prostitute, which may interfere with his chances of being promoted…
Tag: anthony yerkovich
Hill Street Blues (1981) – Your Kind, My Kind, Humankind, and Gatorbait
Anthony Yerkovich alongside series creators Steven Bochco and Michael Kozoll pen the teleplay for Your Kind, My Kind, Humankind from a story by Bill Taub. It was first broadcast on 28 February, 1981. Renko (Charles Haid) and Hill (Michael Warren) deal with problems in different ways when the suspect in their shooting is released. Hill…
Hill Street Blues (1981) – Choice Cut, and Up in Arms
Seven episodes in writer Lee David Zlotoff brings us full circle with Choice Cut. First airing on 14 February, 1981, the episode sees Frank Furillo (Daniel J. Travanti) dealing with a hostage situation in a supermarket, not entirely dissimilar from what happened in the first episode. In fact, it’s the same hostage takers! They went…
Hill Street Blues (1981) – Double Jeopardy, and Film at Eleven
Double Jeopardy, known in some markets as Dressed to Kill first aired on 31 January, 1981. Written by series creators Steven Bochco and Michael Kozoll, the episode puts Operation Duckling into action. It seems the serial rapist they’ve been trying to apprehend since the beginning of the series is still out there, and the precinct…
Miami Vice (1984) – One Eyed Jack, and No Exit
Edward James Olmos joins the main cast this week as the division’s new lieutenant, Martin Castillo, and with his steely eyed glare on Crockett (Don Johnson) the story swings into high gear. One Eyed Jack was written by Alfonse Ruggerio Jr., and first aired on 2 November, 1984. An old flame of Crockett’s Barbara Carrow…
Miami Vice (1984) – Brother’s Keeper
1984. This was a big year for me. It featured one of the biggest most influential moves of my life, as well as helping to define the person I would become. I became more and more immersed in pop culture. When Miami Vice came along, it was getting into pop music in a big way,…
