Chris (John Corbett) is in love, although there are complications in Nothing’s Perfect. Written by Diane Frolov and Andrew Schneider this episode was first broadcast on 12 October, 1992.

He meets Amy (Wendel Meldrum) after he kills her dog by accident with his truck. They definitely have a passion together, and despite his allergies for cats, he’s all in. But she doesn’t only have dogs, cats, and birds… and as the relationship grows, another one of her pets falls victim to the Grim Reaper. Is it Chris’ fault? Is this the karmic balance for their romance?

Is there a way to balance their romantic equation? And what will that cost be?

Maurice (Barry Corbin) has gotten himself a rare antique clock, though it doesn’t seem to run on time. It always seems to be a little off. Even after a German horologist, Rolf (Mark Pellegrino) tends to it and gets it running as perfectly as he can, but he warns Maurice that a clock of that age will lose minutes each day.

This infuriates Maurice, wanting both form and function, and Rolf is exasperated by that viewpoint. And while Rolf isn’t what Maurice expected, he’s a bit of a punk and a wild one, but he and Ed (Darren E. Burrows) definitely have a chance at a solid friendship and start hanging out a lot.

Time and love are pontificated upon, and the journey itself and its passage are the things we have to treasure. It’s a delightful episode, and Chris is a lot of of fun in this episode.

Rocker Brad Bonner (Adam Ant) ends up in Cicely instead of Sicily in Heroes. Written by Jeff Vlaming, this episode was first broadcast on 19 October, 1992.

The whole town is delighted about Bonner’s arrival, and now, imminent concert in Alaska. Ed documents it all with his camera. Though, initially the only one who recognizes him is Shelley (Cynthia Geary), who has a bit of a freak out and Marilyn (Elaine Miles).

Course Shelley’s fascination with Brad causes a little bit of a problem with Holling (John Cullum).

Brad is big in his own mind, but the more the town gets to know him, the more the illusion of him is shattered revealing the incredibly flawed (and not incredibly smart) person behind the image.

Chris gets a big surprise when he learns that his friend and mentor, Tooley (Mickey Jones) is dead. And he’s had his body shipped to Chris to find a final resting place for him. He consults with Maggie (Janine Turner) and tries to figure out what to do.

This leads to a great dream sequence featuring The Last Supper Club and a reenactment of that iconic painting with Chris in the central role. But will it help him find a way to let Tooley go once and for all?

And how will Brad’s concert go or will it not? And Ed’s film?

Ant is surprisingly good, leaning into the silliness of the caricature he’s playing, and the dream sequence is great!