The Swamp gives a message of the interconnectivity of everything. Written by Tim Hedrick, this episode was first broadcast on 14 April, 2006. Aang (Zach Tyler Eisen) feels drawn to a swamp, but when Katara (Mae Whitman) and Sokka (Jack De Sena) argue against landing there, a freak tornado brings Appa down and separates them…
Tag: the swamp
M*A*S*H (1977) – Post Op, Margaret’s Marriage, and Fade Out, Fade In
The penultimate episode of the fifth season is a hectic affair with a teleplay by Ken Levine and David Isaacs from a story by Gene Reynolds and Jay Folb. Post Op first aired on 8 March, 1977. There are patients everywhere, and more arriving all the time. The doctors and nurses of the 4077th are…
M*A*S*H (1977) – End Run, Hanky Panky, and Hepatitis
Harry Morgan directs the first episode this week, End Run, which was written by John D. Hess and debuted on 25 January, 1977. Morgan keeps his story threads separate, giving us some comedy with Klinger (Jamie Farr), Frank (Larry Linville) and Zale (Johnny Haymer) when Frank decides to pit the two against one another in…
M*A*S*H (1975) – Bulletin Board, The Consultant, and House Arrest
Alan Alda steps behind the camera to direct Bulletin Board, a bit of a vignette episode written by Simon Muntner and series developer Larry Gelbart. It debuted on 14 January, 1975. Trapper (Wayne Rogers) is writing a letter home to his kids (and occasionally smooching a nurse or two), Frank (Larry Linville) and Margaret (Loretta…
M*A*S*H (1972) – Bananas, Crackers and Nuts, Cowboy, and Henry, Please Come Home
I’m a little divided on the first episode of M*A*S*H up for review this week. Bananas, Crackers and Nuts was written by Burt Styler, and first debuted on 5 November, 1972 (it was a different time, I have to keep reminding myself) and while a lot of it is funny, and a solid commentary on…
M*A*S*H (1972) – Pilot, To Market, to Market, and Requiem for a Lightweight
On 17 April, 1972, the television landscape changed with the premiere of a show that would run for eleven seasons, and ably walk the line between comedy and drama as it explored life on a Mobile Army Surgical Hospital during the Korean War. Developed for television by Larry Gelbart from the Academy Award winning film…
