Well, as one of my favourite music groups will tell you, sometimes, bad is bad. This entry in the chapter called Monstrous Apes in DK Canada’s highly enjoyable Monsters in the Movies book is pretty horrid. It marries footage from a 1927 silent three hour epic called Perils of the Jungle, which clashes with the…
Tag: style
Heavenly Creatures (1994) – Peter Jackson
I’m closing in on the end of DK Canada’s The Movie Book, as I explore its last section, The Director. And it brings me a Peter Jackson film that isn’t set in Middle Earth (it is in New Zealand, however, and I recognise a lot of the names in the credits as those he has…
Foresight (2020) – Ian Hamilton
This week, Ian Hamilton takes us back to another chapter in ‘Uncle’ Chow Tung’s life. Originally created for the Ava Lee book series, Uncle served as Ava’s mentor and partner. Now with this new series, Hamilton continues to fill out this character’s back story with his signature whip smart dialogue and frenetic story pacing. It’s…
Star Wars: The Rise of Skywalker (2019)
A space age fairy tale. No matter the themes, social commentary or underpinnings we wish to assign the Skywalker Saga, culminating with the release of Episode IX: The Rise of Skywalker, Star Wars has always been a space age fairy tale – there are princesses (turned general), knights (both good and bad), evil lords, fortresses,…
Star Wars: The Clone Wars (2009) – Holocron Heist, Cargo of Doom, Children of the Force
“A lesson learned is a lesson earned.” Season two of The Clone Wars got underway with this episode on 2 October, 2009. It was written by Paul Dini, and overseen by series writer, Henry Gilory, and supervising writer, Scott Murphy. We are introduced to a new bounty hunter, Cad Bane (Corey Burton) who has been…
Moonlighting (1985) – The Murder’s in the Mail, and Brother, Can You Spare a Blonde?
The short first season of the classic 80s show, Moonlighting, comes to an end this week with this episode, The Murder’s in the Mail. Written by Mary Ann Kasica and Micheal Scheff, the story debuted on 2 April, 1985. David Addison (Bruce Willis) secures a job for the Blue Moon Detective Agency, debt collection. He…
Miami Vice (1988) -The Cows of October, and Vote of Confidence
If there was any doubt that season four of Miami Vice showed that the series had lost its edge, The Big Thaw, Missing Hours, and this episode, The Cows of October definitely cemented that into fact. Written by Ed Zuckerman, the episode first debuted on 5 February, 1988, the story follows a canister of bull…
Bring Me the Head of Alfredo Garcia (1974) – Sam Peckinpah
The next big title covered in DK Canada’s highly enjoyable and informative The Movie Book is the exemplary The Wild Bunch. Having previously covered it I moved onto the What Else to Watch list, and discovered a film I had often heard of but until now, had never seen. Bring Me the Head of Alfredo…
The Lost Boys (1987) – Joel Schumacher
My trio of favorite vampire films is now complete with the viewing of 1987’s The Lost Boys. If Fright Night got me into horror movies, and Near Dark showed me how violent and bloody vampires could be, then The Lost Boys showed me how cool vampires could be (and how awesome the occasional vampire hunters…
Innocent Blood (1992) – John Landis
Sooner or later a John Landis film had to pop up in DK Canada’s Monsters in the Movies book. Despite the fact that the famed director wrote it, he would be remiss if he didn’t include his own films in this highly enjoyable book. Consequently I happily sank my fangs into this vampire tale that…
Miami Vice (1984) – Brother’s Keeper
1984. This was a big year for me. It featured one of the biggest most influential moves of my life, as well as helping to define the person I would become. I became more and more immersed in pop culture. When Miami Vice came along, it was getting into pop music in a big way,…
Breathless (1960) – Jean-Luc Goddard
A free-from film, echoed in its jazz soundtrack, Breathless is the next recommendation from the Great Movies – 100 Years of Film book following my screening of Thelma & Louise. With it’s jump cuts, it’s occasional breaking of the fourth wall, Goddard’s uneven, but impressive film heralded the arrival of the French New Wave. Jean-Paul…
