Dial M for Murder (1954) – Alfred Hitchcock

Hitchcock pairs with writer Frederick Knott to bring his stage play, Dial M for Murder to the big screen in this captivating and thrilling adaptation. The film features a top-tier cast, the luminous Grace Kelly, Ray Milland, Robert Cummings and John Williams. Everyone has secrets in this engaging film. Kelly is Margot Wendice, a wealthy…

The Foreigner (2017) – Martin Campbell

Martin Campbell seems to be a hit or miss director, and you have to wonder if it’s his choice of projects. I love his work with the Bond franchise, and I quite enjoyed his take on Zorro. But I also remember how much I hated Vertical Limit and (of course) Green Lantern. Pairing him up…

Frailty (2001) – Bill Paxton

I miss Bill Paxton. Sure, I never actually got to meet the man, but I loved his work. And It has been forever since I watched his film Frailty, so why not a revisit? Damn, this one is still a solid film. Mr. Meiks (Matthew McConaughey) comes to see FBI agent Wesley Doyle (Powers Boothe)….

TIFF 25: EPiC – Elvis Presley in Concert dir. Baz Luhrmann

Acclaimed director brings Elvis Presley to the big screen (or the biggest screen if you can see it in IMAX) in a way you’ve never seen before. A look at his Vegas residency concerts, by putting you in a front row seat for the show. With a quick recap of his career the concert film…

Deep Cover (1992) – Bill Duke

Bill Duke directs a gritty, rough and tumble cop film, and does it incredibly well. It’s an entertaining and brutal ride, and lets Laurence Fishburne shine. Fishburne plays Russell Stevens, a cop recruited by Carver (Charles Martin Smith) to go undercover as a drug dealer in order to get close to Barbosa (Gregory Sierra) and…

Terrifier (2016) – Damien Leone

Let’s get this out of the way, Art the Clown is a very cool creation, and a very deadly mime. That being said, the narrative around the character and the way the film is shot left a little to be desired. Trapped in a rough script, the film is luridly garish, but its uninspired cinematography…

The Birdcage (1996) – Mike Nichols

I remember seeing this in the theater when it first came out and having a great time with it in the company of my friends. I hadn’t seen it since until I decided to revisit it. And damn, if it not only still entertains, but that the politics are sadly still prevalent. Pairing Robin Williams…

Ravenous (1999) – Antonia Bird

I like Robert Carlyle, I like Guy Pearce, and there’s some really horrific stuff in this film, but I have to be honest, the musical score kept ejecting me from the film. Beyond that it’s a tightly crafted film about cannibals, using the story of the Donner Party as a loose launching point. Guy Pearce…

Hellboy: The Crooked Man (2024) – Brian Taylor

I love the character of Hellboy, both the cinematic and the source material brought to life in the Mike Mignola’s comic books. However, this time out, thanks to budget constraints, which directly impacted actors, effects, camera et. al. what fans are given feels like a fan-film and not a studio one. Set in the early…

Run (2020) – Aneesh Chaganty

Run is a crisp and engaging thriller that rushes its twists and turns at a breakneck speed, driven by the performances of its two leads, Sarah Paulson and Kiera Allen. Chloe (Allen) is confined to a wheelchair, and battling a number of illnesses. But she has her mother (Paulson) by her side, tending to her…