I loved Hundreds of Beavers so I was eager to check out an earlier film from the creative duo behind it, Lake Michigan Monster. Sharing some of the film’s creative styles, it’s shot in black and white, made to look like a throwback to yesteryear, and has a goofy sense of humor that slides from…
Tag: pacing
Shutter Island (2010) – Martin Scorsese
I remember when Shutter Island hit the cinemas, and then hit home video, everyone was raving about it. When I finally had a chance to watch it, I had the mystery figured out pretty quickly, though I will say it was wonderfully executed. Scorsese delivers a gorgeous looking film, and makes great use of visual…
Man on Fire (2004) – Tony Scott
I love Tony Scott films; the saturated colours, the moving cameras, the tight pacing, the visual shorthand he used in his storytelling style. I don’t think I ever met a Tony Scott film I didn’t like. Sure I like some more than others, but all of them have his indelible print on them. Man on…
6 Underground (2019) – Micheal Bay
Micheal Bay films can be very hit-and-miss, and when you factor in his almost seizure-inducing editing style you know the film is going to have a certain look and pacing, To be fair, there are Bay films I do enjoy, but unfortunately even with Ryan Reynolds exuding as much charm and humour as he can,…
Sisu (2022) – Jalmari Helander
Sometimes you just want a little of the old ultra-violence and you want to see nazis get the comeuppance you know they deserve. Sisu will check that box for you. Running a brisk ninety minutes there is blood, gore and violence galore as we join an older prospector (Jorma Tommila) in 1944 Finland. He’s left…
The Legend of the Lone Ranger (1981) – William A. Fraker
There are a few things to redeem the 1981 iteration of the Lone Ranger story, it has a score by John Barry, and features Christopher Lloyd as the film’s baddie. But beyond that, this one is pretty horrible. The story, while violent, isn’t layered, sophisticated or much stronger than a grade-school tale. And that’s to…
TIFF ’23: 100 Yards
Xu Haofeng, an accomplished fight choreographer, writer and director and first-time director Xu Junfeng delivers a period piece set in 1920s China, specifically, Tianjin, where the master of a wushu academy has just died and has passed on its leadership to his apprentice, Quan Qi (Andy On) instead of his son, Shen An (Jacky Heung)…
TAD 2022: The Lair dir. by Neil Marshall
Neil Marshall brings us another bad-ass woman named Sinclair with his latest effort The Lair. Marshall’s films have been much loved by After Dark audiences having previously delivered such solid fare as The Descent, Doomsday (the other Sinclair), Dog Soldiers. Pairing with his lead actress Charlotte Kirk, they penned the script that sees the true…
TIFF ’22: A Man of Reason
Korean film star Jung Woo-sung makes his directorial debut with the crime thriller, A Man of Reason. The story is a familiar one, but Jung’s style and performance make this entry exceptional, if a little off. Su-hyuk (Jung) has spent the past decade in jail for his boss, he kept his head down, kept quiet,…
Star Trek: Picard – Rogue Elements (2021) – John Jackson Miller
The year is 2391, four years after the Romulan star was destroyed, and Simon & Schuster’s next entry in the Star Trek: Picard, is an enjoyable entry that mixes a lot of humor with a very noir detective story that ties back to one of the biggest events of the 23rd century. The longest of…
The Mind Reels 