So I finally took a look at the Blumhouse horror M3GAN, and was pleasantly surprised and enjoyed a couple of the themes at work in it, the actual need for physical interaction, to get away from apps, screens and interact with those around you. Sure, the climax, and scenes leading up to it, go a…
Tag: 2022
Three Miles Down (2022) – Harry Turtledove
I hadn’t picked up a Turtledove book before. He’s made a name for himself telling tales of alternate histories, picking a historical event and letting it play out differently. I was never too worried about those things, though I do like a good alternate timeline. This time, however, I was intrigued as it set a…
The Kaiju Preservation Society (2022) – John Scalzi
John Scalzi knows how to tell a great story, and he proves it with The Kaiju Preservation Society, which is a thunderously enjoyable tale that gives us a fun and unique look at the horror/science fiction subgenre that is populated with stories of kaiju. Throwing nods to classic kaiju like Godzilla and newer ones like…
The Witch: Part 2 – The Other One (2022) – Park Hoon-jung
The Korean actioner, The Witch: Part 1 – The Subversion was very engaging and I loved how it built a world and introduced the viewer to genetic manipulation, enhancing the human state, the variety of parties involved and a hint of the plan at its heart. The first film ended with some interesting reveals about…
The Expanse (2022) – Why We Fight, and Babylon’s Ashes
Here we go, the last two episodes of the epic series, The Expanse, and it’s not going to let up until the last second. Why We Fight was written by Daniel Abraham and Ty Franck, known collectively as James S.A. Corey, the authors of The Expanse novel series. It first dropped on Prime on 7…
Phasers on Stun!: How the Making (and Remaking) of Star Trek Changed the World (2022) – Ryan Britt
I have one complaint about Ryan Britt’s examination of Star Trek, it’s too short! It goes by at warp speed, sharing anecdotes new and old, and taking us through Trek’s entire timeline up to 2022. The series, the movies, the fandom are broken into separate chapters and Britt delivers an easy-to-read, occasionally brilliantly funny examination…
Skinamarink (2022) – Kyle Edward Ball
What could have been a descent into a childhood nightmarish dreamscape is frustratingly held back by a gimmick that overstays its welcome and leaves viewers struggling to grasp at any strands to form some kind of coherent narrative. With unusual camera angles that prevent the viewer from seeing anything of import or creating a context…
The Menu (2022) – Mark Mylod
The Menu is a remarkable thriller sauteed with a little comedy to deliver a confection that may not meet with delight with all moviegoers’ palettes, but if you’ve got a cynical streak, especially as it leans towards societal behaviours and elitism, this one will be met with a chef’s kiss. The story follows a group…
All Quiet on the Western Front (2022) – Edward Berger
I missed All Quiet on the Western Front when it screened at TIFF. I just couldn’t make it work with my schedule, so when it dropped on Netflix, you can be assured it went to the front of my viewing queue. Berger’s film, based on the iconic novel by Erich Maria Remarque, is a stunning…
Guillermo del Toro’s Pinocchio (2022) – Guillermo del Toro, and Mark Gustafson
One of my favourite directors, Guillermo del Toro takes on the classic tale of Pinocchio. Teaming up with director Mark Gustafson and an incredibly talented bunch of animators and voice talent, del Toro moves the story forward in time to the 1920s, setting it in Italy during the rise of Mussolini, paired with some dark…
