The Brenaissance continues as Brendan Fraser turns in another fantastic performance, one that leans into his abilities to be both comedic, and deliver great gravitas, often in the same scene.

Fraser stars as Phillip, a struggling American actor living in Japan. When he gets a gig as ‘Sad American’ at a funeral, it opens a whole new market for him, when he is recruited by Rental Family. They organize moments of emotional connection and need for their clients, whether it’s an apology service, best friend, groom, boyfriend, interviewer,… father? Phillip is expected to do it all, and not get too involved with his clients.

Hikari delivers a charming and sentimental story that completely caters to Fraser’s charisma and acting abilities. Funny, and heartfelt, both Fraser and the film wear their hearts on their sleeves.

There is an exploration of the power of performance and the way we connect emotionally to them, as well as the idea of doing good for someone in need.

Despite the fact that Phillip has been in Japan for seven years, he is still our window into the culture, and it provides some truly entertaining moments.

The film has a dreamlike quality to it, which is underlined by a wistful score provided by Alex Somers and Jonsi. They provide Phillip with support as he settles into the new roles he has to play.

It’s joyous, tearful, and knows exactly what it’s doing, but it’s beautifully shot and acted, and you walk out feeling wonderful for having seen it. I adored this film, and I love seeing Fraser doing his thing. He’s always been a favourite, but he’s really hitting his stride now.

Rental Family screens Thursday, Friday and Saturday at TIFF. Thursday at Scotiabank (11:45am), Friday at the Lightbox (12:30pm) and Saturday at Scotiabank (9:30pm). It’s a delightful feel good movie.