Jackie Chan directs and stars in this romp that seems to be a bit of a nod to an Indiana Jones-style adventure. Shot across Europe it’s not quite as exotic looking as a Jones film, or a Bond film for that matter, but it’s fast-paced, has some goofy humour, and features solid iconic stuntwork.

Asian Hawk (Chan) is a former pop band member turned adventurer. After recovering an ancient sword in the film’s opening sequence he finds himself caught up in a tale that sees him reunited with a former bandmate, Alan (Alan Tam) when Alan’s girlfriend, (and Hawk’s crush), Lorelei (Rosamund Kwan) is kidnapped by a dangerous religious cult.

They say they will release Lorelei if Hawk brings them the Armour of God, there are five pieces, one of which Hawk recovered in the opening, and bought by May (Lola Forner) for her father, Bannon’s (Bozidar Smiljanic) collection. He owns two of the other pieces.

Offering his guarantee that they will be returned, Hawk sets off with Alan and May to rescue Lorelei, and recover the other two pieces of armour.

It’s the merest framework of a story to hang action beats and moments on, and while Chan may not be the best director, his sense of humour and attention to detail in action sequences serves the story well.

The locations look great, and with a stronger visual eye, this could really have been something epic-looking. But that may have had as much to do with budget as filmmaking. Still it’s a fun ride, and Chan is able to transition easily from comedic moments to throwing a punch.

I think if the film had been made as more of a period piece, set in the 30s or 40s, and was shot just that little bit better, the film could have had a real Indiana Jones feel to it. That being said, there are some really fun bits, shots, and stunts, and Jackie makes sure that his entire budget is there on the screen.

But man, that final fight in the temple at the end of the film, before the hot-air balloon jump, LOVE it!

In the end, Armour of God delights but is just as easily forgettable. There’s no super-memorable stunts (though one almost killed him in this film), and as great as that final fight is, it’s over too quick. Watching it now, all I can see are missed opportunities. It’s a fun ride, sure, but it could have been a lot more than just another entry on Chan’s C.V.

Still, it is a very full resume, and there’s lots to see. Maybe something will really pop for me.